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Apple Logic Pro Advanced

Logic Pro has many advanced features that unleash it

Créé par: Vtc

Explanation of the Course

Introduction

Speeding up Workflow

Introduction

Helpful Key Commands

Screensets

Making Your Autoload

Templates

Commercial Production / Media Management

Introduction

Beat Mapping

Mixer Channels

Channel Strip Settings

Audio Editing pt. 1

Audio Editing pt. 2

Markers pt. 1

Markers pt. 2

Talk Back Mic

Headphone Mix

Recording Multiple Takes pt. 1

Recording Multiple Takes pt. 2

Save as Project

Summation

Automation / Fades and Ctrl Surfaces

Introduction

Supported Ctrl Surface pt. 1

Supported Ctrl Surface pt. 2

Track vs. Region Automation

Track Automation Modes

Editing Track Automation

Fades

Environment pt. 1

Environment pt. 2

Audio Objects

Multi Instruments

Music for Film or TV

Introduction

Synchronization

Video Display

Importing XML and BWF

Detecting Cuts / Using Markers

Regions at SMPTE Locations

Exporting the Final Project

Standard Notation

Introduction

Instrument Sets and Score Styles

Text Styles

Quantize in Arrange vs. Editor

Score Workflow

Global Score Preferences

Numbers and Names Preferences

Lyrics

Note Attributes

Triplets

Slurs

Dynamics / Codas and Roadmaps

Score Interface

Finishing the Score

Summation

Virtual Instruments and Plug-Ins

Introduction

Basics

EQs pt. 1

EQs pt. 2

Dynamic pt. 1

Dynamic pt. 2

Dynamic pt. 3

Distortion

Filter pt. 1

Filter pt. 2

Delay pt. 1

Delay pt. 2

Modulation pt. 1

Modulation pt. 2

Reverb pt. 1

Reverb pt. 2

Convolution Reverb

Special pt. 1

Special pt. 2

Special pt. 3

Special pt. 4

Vocoder

Instrument Basics

EFM1

ES M

ES P

ES E

ES 1

ES 2 pt. 1

ES 2 pt. 2

Ultrabeat pt. 1

Ultrabeat pt. 2

Ultrabeat pt. 3

Sculpture pt. 1

Sculpture pt. 2

Sculpture pt. 3

EVB3 pt. 1

EVB3 pt. 2

EVP88 pt. 1

EVP88 pt. 2

EVD6 pt. 1

EVD6 pt. 2

EXS 24 pt. 1

EXS 24 pt. 2

EXS 24 pt. 3

Garageband Instruments

Summation

Live Performance

Introduction

Touring Keyboardist Comparison

Setting Up Splits and Layers

Track-Based Performance

Position-Based Performance pt. 1

Position-Based Performance pt. 2

Live Performance Effects

Summation

Other Applications

Introduction

Requirements for PT

Setting Up ESB (TDM)

Setting Up Rewire

Waveburner

Introduction

CD Text

Interface Differs from Logic

Markers

Effects

Key Commands

Credits

Summation

About the Author